Skip to main content

Bacon Renaissance spirit



Bacon Renaissance spirit

The influence of Renaissance spirit is obvious on Bacon in his essays. He lays emphasis on self-advancement. He has a love for classical learning and natural beauty, which are the qualities of Renaissance.

Bacon's essays bear the pragmatic spirit. He deals with the practical advantages of the things in the new intellectual atmosphere created by the Renaissance. His essays are replete with what is known as worldly wisdom. We see Bacon advising the reader as how to become rich, how to rise his position, how to exercise one's powers. In his essay "Of Truth", he emphasises the value of truth but also points out that the mixture of falsehood is like an alloy in the coin of gold and silver that makes the metal work better. In his essay "Of Riches", he says that the riches are a hindrance to virtue and yet offers suggestion how a man can become rich.

In Bacon's essays, we find the Machiavellian approach to life, to achieve success in life by using fair and foul means. This is an important characteristic of Renaissance age. Therefore, he is the preacher of Machiavellian philosophy.

The Renaissance was the time of exploration and regional conquests. This aspect of Renaissance is reflected in Bacon's political essays. In the essays “Of Empire” and “Of the True Greatness of Kingdoms and Estates”, he points out the various dangers that kings in the time faced. He gives useful advice to kings concerning their dealings with their neighbours, their wives, children, their clergy and their nobles, etc. He tells us that the greatness of a country is not by the territory or population but the military power.

The revival of classical learning and the study of ancient Greek and Roman literature and history are obvious in Bacon's essays. There are numerous quotations from ancient writers and through them he supported his arguments.

Bacon's love of learning is portrayed in his essays. This love of learning is an important quality of Renaissance age. In his Essay "Of Studies", he emphasizes the advantages of reading. His essay "Of the True Greatness of Kingdoms and Estates" contains thirteen Latin quotations. He says about the love of learning:

"I have taken all the knowledge to be my province.”

Another feature of the Renaissance that is reflected in some of Bacon's essays is his love of beauty and the sensuousness. His essay "Of Garden" shows him as a lover of natural beauty and an ardent love of sensuous beauty. As he says:


"And because the breath of flowers is far sweeter in the air than in the hand."

Another important characteristic of the Renaissance is the striking use of the figure of speech that is clear in Bacon's essays. The metaphors and similes taken from different spheres of knowledge and experience reflect the popular taste of the age. We have a glimpse of his metaphor and similes in the following sentences from his essays:

"A mixture of lie doth ever add pleasure" (Of Truth)

"Men fear death as children fear to go in dark" (Of Death)

As a Renaissance man, Bacon has the sense of curiosity and love for travel. The lists of things that are worth seeing are typical spirit of the Renaissance. It exhibits the tendency to know more and more about every thing and every place. It is said that Bacon has Faustian (like Dr. Faustus) urge of curiosity and love for travel.

Renaissance age was accompanied with the great spirit of humanism. Bacon's essays are proper study of humanism. He directed his gaze inward and became deeply interested in the problems of human personality. All of his essays have "man" as their subject matter.

Bacon's morality governed by the knowledge that man is not perfect and that he can be expected to adhere to ethical standards only to a certain extent.
  
Bacon has the main feature of Renaissance spirit in his essays but there is one great exception and that is the use of language. He does not reflect the age's pride in English language. He admired and preferred Latin to English and thought that the Latin version of his essays would be more popular. Critics have different opinions about Bacon’s language. A critic says:

"The language of Bacon is as supreme in prose as Shakespeare's in verse."

In the end, we can say that Bacon is a writer who represents the most salient feature of his age, which is the age of revival of learning and study of ancients, the spirit of inquiry and individualism. He is the real product of The Renaissance glory and reveals the thoughts, philosophy and true features of the Renaissance spirit.

Comments

Popular posts from this blog

VLADIMIR AND ESTRAGON ARE REPRESENTATION OF MAN IN GENERAL. ACCEPT OR REJECT THE STATEMENT.

Q:      TO WHAT EXTANT VLADIMIR AND ESTRAGON ARE METAPHORS OF HUMANITY IN "WAITING FOR GODOT"? Q:       VLADIMIR     AND      ESTRAGON    ARE REPRESENTATION OF MAN IN GENERAL. ACCEPT OR REJECT THE STATEMENT. Q:      MAJOR CHARACTERS IN "WAITING FOR GODOT" ARE HUMAN BEINGS IN SEARCH FOR MEANINGS IN THE MEANINGLESS, HOSTILE UNIVERSE. Ans: Authors bring into play different modus operandi in their writings. Samuel Beckett makes use of allusions and references to characters to help the reader understand what the characters stand for. In his drama Waiting for Godot, Beckett's two main characters, Estragon and Vladimir, are symbolised as man. Separate they are two different sides of man, but together they represent man as a whole. In Waiting for Godot, Beckett uses Estragon and Vladimir to symbolize man's physical and mental state. Estragon represents the physical side of man, while Vladimir represents the intellectual side of man. In each way

Walt Whitman Writing Style

  Walt Whitman style Walt Whitman crafted one of the most distinctive styles in world poetry – a style that is instantly recognizable.  Among the particular trait s of that style are the following: a strong emphasis on the individual self, especially the self of Whitman in particular a strong tendency to use free verse in his poetry an epic tendency that tries to encompass almost every possible subject matter an emphasis on the real details of the everyday world but also on transcendent, spiritual themes an emphasis on life as it was actually lived in America , and yet a concern with all humanity; a focus on reality blended with an enthusiastic mysticism an emphasis on democracy and love of other persons an emphasis on speakers (in his poems) speaking honestly and directly, in fairly simple language accessible to most readers an emphasis on freedom of all sorts – physical freedom, social freedom, freedom of the imagination, and fre

Waiting for Godot: A Funny Thing Happened on the Way to the Grave

Waiting for Godot: A Funny Thing Happened on the Way to the Grave By David Kranes  Have you heard the one about the two tramps who were killing time? Or was it filling time? Is Samuel Beckett the stage poet of gloom? Or is he a baggy-pant burlesque comedian? (Bert Lahr acted in Godot; Buster Keaton in his Film.) Does the spirit involuntarily lift in the gaunt Irishman’s grove of denuded trees. . .or fall? Does the flesh fall and the voice arise? “We give birth astride the grave,” Beckett utters at one point. Some critics arm them- selves with the word birth; others with the word grave. Perhaps more of them ought to have chosen the word astride. Samuel Beckett, who always loved the shape and play of language, was fond of the epi- gram from St. Augustine: “Do not despair: one of the thieves was saved. Do not presume: one of the thieves was damned.” During this past year, in response to Beckett’s 1989 death, remembrances by writers such as Mel Gussow of the New York Times stress his quie