Skip to main content

Discuss the local colour and comic relief in Adam Bede.



Q5: 
Discuss the local colour and comic relief in Adam Bede.
 Answer: 
As a literary term, local colour refers to description of life and character in particular locality. The customs of the people, their speeches, their particular way of looking at things is presented to the reader often in a slightly sentimentalized or desirous way. Dickens and Bret Harte are probably the best known practitioners of this type. Comic relief is familiar term which needs careful examination. An author wants to relive the intensity of the serious plot-line by inserting comic characters or situations. These entertaining devices help keep the reader’s interest lively and balance out the fictional picture of the half tragic, half comic world. Probably, the most famous comic relief in English literature is the knocking at the gate in “Macbeth”, where sight of drunken porter relaxes the audiences after the murder of Duncan. Eliot uses both these devices in “Adam Bede”. In a strict sense most of the novel is full of local colour. The settings and the speeches of the characters belongs to a specific time and place. But certain characters function almost entirely as local colour figures. These people are actually the part of the novel’s background. They provide a concrete atmosphere in which central action of the story takes place. Mr. Poyser is a typical Warwickshire farmer and Mr. Ben exemplifies the typical attitude of the Warwickshire town labourer of his days. Eliot gives a lot of attention to the habits and customs of the local people. For example, most of chapter 6 and 18 describes what ordinary people did and said on ordinary days in the Warwickshire countryside in 1800. The pictures presented at different levels of the village life are relevant and realistic. They are a frank and representation of the functioning physical world of that time. Parts of book 3, especially chapter 25 on the games at the
 Arthur’s birthday party shows how people celebrate an important event. We find the local custom of the harvest supper. The sections of the novel which concentrate on developing local colour serve other purposes as well. For example, in book 3 we see calm prevails before the storm. Eliot builds up suspense by talking of minor matters, while delaying the explosion of the inevitable conflict. We see that suspense is created in chapter 53while
Dinah thinks over Adam’s proposal from different angles. These events also provide the much needed comic relief. It is no accident that the relatively lighthearted portion of the novel comes after the grim conflict between
 Adam and Arthur 
. This has been done deliberately to minimize the emerging tension. Thus local colour and comic relief work hand in hand in “Adam Bede”. Eliot is determined to write a realistic novel about common people, dig her memories of childhood and creates a specific concrete world. She projects it in a very sentimental way and takes delight in the charming presentation of rural folk. Eliot does not forget that one important function of the novelist is to entertain. So she provides us something to laugh at by describing the real life pattern of the village people. To conclude, it can be said that the entire novel is full of local environment and there is no dearth of comic relief. These two vital elements of the novel add beauty and comprehensiveness to the novel writing of 
George Eliot 
. Her quality does not make
 Adam Bede 
laborious, boring or unattractive rather local colour and comic relief should be taken as very strong plus point of the novelist.

Comments

Popular posts from this blog

VLADIMIR AND ESTRAGON ARE REPRESENTATION OF MAN IN GENERAL. ACCEPT OR REJECT THE STATEMENT.

Q:      TO WHAT EXTANT VLADIMIR AND ESTRAGON ARE METAPHORS OF HUMANITY IN "WAITING FOR GODOT"? Q:       VLADIMIR     AND      ESTRAGON    ARE REPRESENTATION OF MAN IN GENERAL. ACCEPT OR REJECT THE STATEMENT. Q:      MAJOR CHARACTERS IN "WAITING FOR GODOT" ARE HUMAN BEINGS IN SEARCH FOR MEANINGS IN THE MEANINGLESS, HOSTILE UNIVERSE. Ans: Authors bring into play different modus operandi in their writings. Samuel Beckett makes use of allusions and references to characters to help the reader understand what the characters stand for. In his drama Waiting for Godot, Beckett's two main characters, Estragon and Vladimir, are symbolised as man. Separate they are two different sides of man, but together they represent man as a whole. In Waiting for Godot, Beckett uses Estragon and Vladimir to symbolize man's physical and mental state. Estragon represents the physical side of man, while Vladimir represents the intellectual side of man. In each way

Waiting for Godot: A play in which nothing happens twice

A Play in Which Nothing Happens Twice    Translated into over a dozen languages, Waiting for Godot has been performed in little theatres and large theatres, by amateurs and professionals, on radio and television. Scarcely four decades old, Waiting for Godot has sold over a million copies in the original French and nearly that many in Beckett’s own English translation. Starring Steve Martin and Robin Williams, it was a smash hit at the Lincoln Center Theatre, with tickets available by lottery only. Quite an achievement for a comic drama in which absolutely nothing happens. (One reviewer, in fact, called it a two-act play in which nothing happens twice.) Waiting for Godot contains clowning of the highest degree, which attracts audiences, and likely the play’s enigma contributes to its appeal. Its symbolism is obscure or non- existent; its “message” is individual to each audience member, and the “nothing happens” becomes our daily existence. On a lonely country road near a tree, two eld

Walt Whitman Writing Style

  Walt Whitman style Walt Whitman crafted one of the most distinctive styles in world poetry – a style that is instantly recognizable.  Among the particular trait s of that style are the following: a strong emphasis on the individual self, especially the self of Whitman in particular a strong tendency to use free verse in his poetry an epic tendency that tries to encompass almost every possible subject matter an emphasis on the real details of the everyday world but also on transcendent, spiritual themes an emphasis on life as it was actually lived in America , and yet a concern with all humanity; a focus on reality blended with an enthusiastic mysticism an emphasis on democracy and love of other persons an emphasis on speakers (in his poems) speaking honestly and directly, in fairly simple language accessible to most readers an emphasis on freedom of all sorts – physical freedom, social freedom, freedom of the imagination, and fre