Skip to main content

William Shakespeare biography section 7



1.     What is the Great Chain of Being?
2.     Main Idea
3.     The Great Chain of Being
4.     What determines the order of the Chain?
5.     How are the links of the Chain connected?
6.     How do the links reflect each other?
7.     Disorder
8.      Politics and the Chain
9.     How does the Chain work?
10.      Shakespeare and the Great Chain of Being




This image of the Great Chain of Being is from 1579. It shows a divinely inspired universal hierarchy, or ladder. All forms of life are ranked between heaven and hell.
It is a way of understanding the word that was current in Europe from the Middle Ages through the Renaissance and the Restoration and into the early 1700s.
The central concept of the chain of being is that everything imaginable fits into the chain somewhere, giving order and meaning to the universe. The Great Chain of Being extends from God down to the lowest forms of life, and even to the trees and stones of the earth. This Great Chain, first described by St. Thomas Aquinas in the 13th century, is what holds the word together.
Kings/Queens
Archbishops
Dukes/Duchesses
Bishops
Marquises/Marchionesses
Earls/Countesses
Viscounts/Viscountesses
Barons/Baronesses
Abbots/Deacons
Knights/Local Officials
Ladies-in-Waiting
Priests/Monks
Squires
Pages
Messengers
Merchants/Shopkeepers
Tradesmen
Yeomen Farmers
Soldiers/Town Watch
Household Servants
Tenant Farmers
Shepherds/Herders
Beggars
Actors
Text Box: http://iackvtappet.tripod.com/chain.htmlThieves/Pirates
Gypsies
Beasts
Birds
Worms
The following information about the Great Chain of Being is adapted from the book
The Elizabethan World Picture (published in 1942) by E.M.W. Tillyard (1889-1962), a British
classical scholar and literary scholar:
        The pace of an object or animal or human depends on the proportion of "spirit" and "matter" it contains— the less "spirit" and the more "matter," the lower down it is.
        Within each of the main groups, there are other hierarchies. For exampe, among metals, gold is the nobest and at the top; lead has less "spirit" and more matter, and so is lower.
• There is continuity between the segments: shellfish are lowest among animals and can bend into the plants, because, like plants, they cannot move.
      The sun governs the panets, a king rules his subjects, a parent rules a child, and within a person, reason rules the emotions. If disorder is present in one realm, it is correspondingly reflected in other realms.
        Man is seen as a microcosm, a "little word," that reflects the structure of the word as a whole (the macrocosm). Just as the word is composed of four "elements"—earth, water, air, and fire—the human body is composed of four comparable substances called "humours": blood, back bile, yellow bile, and phlegm.
        Illness occurs when there is an imbalance or "disorder" among the humours. An exampe is in Shakespeare's King Lear: the disorder in family relationships (a child ruling a parent) and in the state (a subject ruling the king) is reflected in the disorder of Lear's mind (his loss of reason) and in the disorder of nature (the raging storm). Lear even says his loss of reason is "a tempest in my mind."
        According to the Chain of Being, all existing things have their precise place and function in the universe. To leave your proper place is to betray your nature.
        Human beings are between the beasts and the angels. This makes life difficult for mankind.
      To act against human nature by not blowing reason to rule the emotions is to descend to the level of the beasts. To try to rise to your proper, set place, as Eve did when Satan tempted her, is to court disaster.
        Exampes in drama of the consequences of a character going beyond the boundaries of the Chain of Being are found in Marlowe's pay Doctor Faustus and in Shakespeare's Macbeth.
        Disorder would occur if a people rose against their king. The belief in the Chain's order helped rulers immensely. Civil rebellion would break the chain, and this would have dire consequences. Rebellion was a sin against God, at least wherever rulers claimed to rule by "divine right" (see page 39).
       In Shakespeare's work, civil disorders are often accompanied by meteoric disturbances in the heavens—for example, in Julius Caesar.
        Because the Chain of Being provided a rationale for the authority of monarchs, it also suggested that there was ideal behaviour for these rulers. Much Renaissance literature is concerned with the ideals of kingship and with the character and behaviour of rulers, as in Shakespeare's Henry #.
Every being in Creation has its place in the Chain; this entails authority and a certain degree
of responsibility to the rest of the Chain.
As long as each bein g knows its place and does its duty, all will be well.
       is outside the physical limitations of time.
        possesses the spiritual attributes of reason, love, and imagination, like all spiritual beings.
        alone possesses the divine attributes of omnipotence, omniscience, and omnipresence.
       are outside the physical limitations of time.
        are spiritual beings and can rule over humanity, the rest of the animals and the inanimate word.
        possess reason, love, imagination, sensory awareness, and language.
        lack the divine attributes of omnipotence, omniscience, and omnipresence that God has, and lack the physical passions of humans.
Note: The primate, or superior type of angel, is the seraph (plural seraphim).
       occupy a unique position on the Chain of Being. They are both spiritual and physical. They must balance the divine and animal parts of their nature.
        are like Angels in that they possess divine powers such as reason, love, and imagination, and are spiritual beings.
        are like Animals in that they are joined to a physical body. They have passions and physical sensations—pain, hunger, thirst, and desire—just like other animals lower on the Chain of Being. Their sensory attributes are limited by physical organs. They can only know through the five senses.
        possess the powers of reproduction, unlike the minerals and rocks lowest on the Chain of Being.
        can rule over the rest of the natural word, uprooting weeds and panting gardens, digging up metals and shaping them into tools, and so on.
The human primate is the King.
The Divine Rig ht of King s (see page 39) (the idea that a monarch's right to rule over the common people comes directly from God) also teaches that the king is at the top of humanity's social order.
Within the family, the father is head of the household; below him, his wife; below her, their children. Male children are one link above female children.
        have natural authority over both inanimate pants and minerals. For instance, horses can trample the rocks and earth; they can also eat pants.
        are like humans in that they are capable of independent movement and possess physical appetites and sensory attributes. They have limited intelligence and awareness of their surroundings.
        are unlike humans in that they lack spiritual and mental attributes, such as immortal souls, and the ability to use logic and language.
Notes:
The primate of all animals, the "King of Beasts," is either the lion or the elephant.
However, each subgroup of animals also has its own primate.
At the top of the animals are wild beasts, which are superior in that they are not domesticated. Below them are domestic animals, divided so that working animals, such as dogs and horses, are higher than docile animals, such as sheep. Predators are above herbivores in the Chain.
        linked to the element of air, are considered superior to aquatic creatures linked to the element of water.
        are also subdivided. Birds of Prey (hawks, owls, etc.) outrank Carrion Birds (vultures, crows), which in turn outrank "Worm-Eating " Birds (robins, etc.), which are above "Seed-Eating " Birds (sparrows, etc.)
Note: The avian (bird) primate is the eagle.
        come below birds, and are subdivided into actual fish and other sea creatures.
        At the very bottom of the fish section are unmoving creatures like oysters, clams, and barnacles. Like the plants below them, these creatures lack mobility and sensory organs for sight and hearing. However, they are considered superior to plants because they have tactile and gustatory senses (touch and taste).
Note: The piscine (fish) primate is the whale or dolphin.
        Useful insects such as spiders and bees, and attractive insects such as ladybirds and dragonflies, are at the top, and unpeasant insects such as flies and beetles and mosquitoes are at the bottom.
               are at the very bottom of the animal sector and are relegated to this position as
punishment for the serpent's actions (tempting Eve) in the Garden of Eden.
        have authority and ability to rule over only minerals. Because they are superior to unmoving rock and soil, the plants can take nourishment from them and grow on them, while the minerals and soil support them.
        like other living creatures, possess the ability to grow and to reproduce.
        lack mental attributes and possess no sensory organs. Instead, they can "eat" soil, air, and "heat."
        tolerate heat and cold well, and are immune to the pain most animals feel.
Notes:
The primate of pants is the oak tree.
In general, trees rank higher than shrubs, shrubs rank higher than bushes, bushes rank higher than cereal crops, and cereal crops rank higher than herbs, ferns, and weeds.
At the very bottom of the botanical hierarchy, the fungus and moss, without leaves and blossoms, are thought to be scarcely above the level of minerals. However, each plant is also thought to have various edible or medicinal properties.
        lack plants' basic ability to grow and reproduce.
        lack the mental attributes and sensory organs found in higher beings.
        have unusual solidity and strength. Many minerals, particularly gems, are thought to possess magical powers. The lapidarian primate is the diamond, followed by various gems (rubies, sapphires, topaz, chrysolite, etc.).
        Metals are further subdivided: the metallic primate is gold, then various metals (silver, iron, bronze, copper, tin).
        Rocks (with granite and marble at the top), soil (sub-divided between nutrient-rich soil and low-quality types), sand, grit, dust, and, at the very bottom of the entire Great Chain, dirt. A reference to the Great Chain of Being that survives in today's English language is the insult that one is "lower than dirt," which refers to dirt's place at the bottom of the Chain.
Note: The geological primate is marble, then various stones, granite, sandstone, limestone, etc. At the very bottom of the mineral section are soil, dust, and sand.
Ag ain& The central concept of the Great Chain of Being is that everythin g imag inable fits into it somewhere, g iving order and meanin g to the universe.
        An overarching theme in Shakespeare's works is that divine and natural order must be followed or dire consequences will ensue.
        Many of Shakespeare's plays are based on the principle of the Divine Right of Kings (see page 39).
        Well-known examples include the many disturbances in nature in Macbeth and Julius Caesar. After Macbeth murders King Duncan, horses eat each other; and in Julius Caesar, after Caesar's murder, "the sheeted dead do squeak and gibber in the streets".
        Another example of order in family life is seen at the end of The Taming of the Shrew, when Kate gives a much-discussed speech on the pace of wives and husbands. The imagery makes clear the domestic order of the times:
Thy husband is thy lord, thy life, thy keeper,
Thy head, thy sovereign
And craves no other tribute at thy hands
But love, fair looks and true obedience;
Too little payment for so great a debt.
Such duty as the subject owes the prince Even such a woman oweth to her husband;
And when she is froward, peevish, sullen, sour,
And not obedient to his honest will,
What is she but a foul contending rebel And graceless traitor to her loving lord?
I am ashamed that women are so simple To offer war where they should kneel for peace;
Or seek for rule, supremacy and sway,
When they are bound to serve, love and obey. (Act V, sc. ii)
What is it?
        It is the belief that a monarch has been chosen by God and has total power over all his subjects.
        It is part of the Great Chain of Being.
        The belief in the Great Chain of Being meant that monarchy was ordained by God, and was part of the very structure of the universe. Rebellion was a sin, not only against the state but against heaven itself, for the king was God's appointed deputy on earth, with semi-divine powers.
       King James I wrote, "The state of monarchy is the supremest thing upon earth: for kings are not only God’s Lieutenants upon earth, and sit upon God’s throne, but even by God himself they are called Gods.”
       It is not all one-sided: the King has a moral responsibility to God and to his peope. In return for his absolute power, he is expected to rule his subjects with love, wisdom, and justice. To do otherwise is to abandon those natural qualities that make a noble fit to rule in the first place. Abusing regal authority is a perversion of divine order.

Comments

Popular posts from this blog

VLADIMIR AND ESTRAGON ARE REPRESENTATION OF MAN IN GENERAL. ACCEPT OR REJECT THE STATEMENT.

Q:      TO WHAT EXTANT VLADIMIR AND ESTRAGON ARE METAPHORS OF HUMANITY IN "WAITING FOR GODOT"? Q:       VLADIMIR     AND      ESTRAGON    ARE REPRESENTATION OF MAN IN GENERAL. ACCEPT OR REJECT THE STATEMENT. Q:      MAJOR CHARACTERS IN "WAITING FOR GODOT" ARE HUMAN BEINGS IN SEARCH FOR MEANINGS IN THE MEANINGLESS, HOSTILE UNIVERSE. Ans: Authors bring into play different modus operandi in their writings. Samuel Beckett makes use of allusions and references to characters to help the reader understand what the characters stand for. In his drama Waiting for Godot, Beckett's two main characters, Estragon and Vladimir, are symbolised as man. Separate they are two different sides of man, but together they represent man as a whole. In Waiting for Godot, Beckett uses Estragon and Vladimir to symbolize man's physical and mental state. Estragon represents the physical side of man, while Vladimir represents the intellectual side of man. In each way

Walt Whitman Writing Style

  Walt Whitman style Walt Whitman crafted one of the most distinctive styles in world poetry – a style that is instantly recognizable.  Among the particular trait s of that style are the following: a strong emphasis on the individual self, especially the self of Whitman in particular a strong tendency to use free verse in his poetry an epic tendency that tries to encompass almost every possible subject matter an emphasis on the real details of the everyday world but also on transcendent, spiritual themes an emphasis on life as it was actually lived in America , and yet a concern with all humanity; a focus on reality blended with an enthusiastic mysticism an emphasis on democracy and love of other persons an emphasis on speakers (in his poems) speaking honestly and directly, in fairly simple language accessible to most readers an emphasis on freedom of all sorts – physical freedom, social freedom, freedom of the imagination, and fre

Waiting for Godot: A Funny Thing Happened on the Way to the Grave

Waiting for Godot: A Funny Thing Happened on the Way to the Grave By David Kranes  Have you heard the one about the two tramps who were killing time? Or was it filling time? Is Samuel Beckett the stage poet of gloom? Or is he a baggy-pant burlesque comedian? (Bert Lahr acted in Godot; Buster Keaton in his Film.) Does the spirit involuntarily lift in the gaunt Irishman’s grove of denuded trees. . .or fall? Does the flesh fall and the voice arise? “We give birth astride the grave,” Beckett utters at one point. Some critics arm them- selves with the word birth; others with the word grave. Perhaps more of them ought to have chosen the word astride. Samuel Beckett, who always loved the shape and play of language, was fond of the epi- gram from St. Augustine: “Do not despair: one of the thieves was saved. Do not presume: one of the thieves was damned.” During this past year, in response to Beckett’s 1989 death, remembrances by writers such as Mel Gussow of the New York Times stress his quie