Walt Whitman style
s of that style are the following:
- a strong emphasis on the individual self, especially
the self of Whitman in particular
- a strong tendency to use free verse in his poetry
- an epic tendency that tries to encompass almost every
possible subject matter
- an emphasis on the real details of the everyday world
but also on transcendent, spiritual themes
- an emphasis on life as it was actually lived in
America, and yet a concern with all humanity; a focus on reality
blended with an enthusiastic mysticism
- an emphasis on democracy and love of other persons
- an emphasis on speakers (in his poems) speaking honestly
and directly, in fairly simple language accessible to most readers
- an emphasis on freedom of all sorts – physical freedom,
social freedom, freedom of the imagination, and freedom from formal
constraints
- a kind of Romantic enthusiasm for life and beauty and
brotherly love
- an emphasis on optimism, on idealism, on discerning and
celebrating anything good and worthy in humanity
- an emphasis on the poet as a kind of prophet, a
spokesman for his people and his time
- an emphasis on both physical and spiritual beauty,
and of the close relations between the two
- an openness to all kinds of experiences, emotions, and
thoughts
- an emphasis on human dignity, on the possibility of
progress, and on the potential worth of all persons
- a rejection of anything merely genteel, sophisticated,
tamely civilized, and safely proper
- an emphasis on personal experience and personal
confessionalism
- an emphasis on originality, on the need to transcend
tired forms and stale conventions
- an emphasis on the natural, both in humans and in the physical
universe
- a more frankly erotic emphasis than was common in much
poetry of his time
Many of these traits are clearly
visible in the opening lines of "Song of Myself":
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer
grass.
My tongue, every atom of my blood, form’d from this soil,
this air,
Born here of parents born here from parents the same, and
their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.
Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never
forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.
Here we see
a number of traits already mentioned, especially the emphasis on self; the
celebratory impulse; the sense of connection between speaker and reader and the
sense that the speaker speaks both for himselfandfor the reader; the
appreciation of nature; the emphasis on the physical, including the physical
body; the sense of attachment to America; the autobiographical impulse; the
sense of speaking for oneself rather than merely adhering to traditional
"Creeds and schools"; the emphasis on "Nature" and,
especially, on "original energy." No other American poet had written
quite like this before, and few have mastered this style in the many decades
since Whitman pioneered it. He was an American original and wrote with a
stylistic freedom worthy of an American poet.
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